the sacrament of ploppage

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Anne LaMott tells me it is time to plop down into this new promise to myself; the promise that I am going to get serious now about the art – “the art that longs to be created using your hands, your heart, your spirit, and your kitchen table.” She tells me that all creative work is a debt of honor. You have to do it as a radical act. Because if you leave it too long your curiosity and creative muscles will atrophy. I am at that edge where I know it is almost too late, and I am terrified.

For most of my adult life I fought for this, this right to live creatively. But as Anne also says, “life is very life-y…” and everything and everyone else took precedent. I erroneously thought that all I wanted was a studio space. A studio space. I cannot tell you how many homes I have lived in. Let’s just say dozens. The average American moves every seven years; for decades I moved almost yearly. In every house I looked for a place to make a studio. I didn’t know how difficult it would be to make and keep a boundary around my creativity. Because I also wanted a happy family life. Anne says that no one in your family wants you to be creative. No one wants to hear about it. I wish I’d known. I was confused when they weren’t all supportive. When they were sitting in my tiny studio closet when I thought they weren’t home and that I could finally sneak away for some quiet alone time…I didn’t know that living a creative life was antithetical to having a happy family and a happy household. I don’t know how I could have been so naive for so long, but I didn’t know.

Is creativity such an indulgence? It is if your family is unhealthy. They need you. I was needed. Really, really needed. And as I now know in hindsight, I couldn’t save any of them. Not a one. But certainly not for lack of trying.

One response »

  1. This resonated with me.

    I have gifted things to someone who never seemed to value them, whether store bought or home made. I would take it personally, until I realized that this person had the same nonchalance with ALL her stuff. I was inflating the value, and attaching my neurotic crap to it.

    Years of people pleasing can render one creatively timid. It’s time to break out. Bad art is better than no art at all. If an artist cauterizes the inspiration, the bird is chained to the perch.

    The late Louis L’amour said that he never had a problem writing, that he could set up a typewriter at Hollywood and Vine, and it wouldn’t affect his concentration. Shout out to Louis! Maybe we can all rustle up a cattle opera.

    Cheers!

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